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	<title>clairechaulet</title>
	<link>https://clairechaulet.com</link>
	<description>clairechaulet</description>
	<pubDate>Wed, 09 Aug 2023 08:45:20 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://clairechaulet.com/Home</link>

		<pubDate>Wed, 29 Dec 2021 14:38:45 +0000</pubDate>

		<dc:creator>clairechaulet</dc:creator>

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		<description>Claire Chaulet</description>
		
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	<item>
		<title>Information</title>
				
		<link>https://clairechaulet.com/Information</link>

		<pubDate>Wed, 29 Dec 2021 14:38:45 +0000</pubDate>

		<dc:creator>clairechaulet</dc:creator>

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		<description>Contact / Informations


If you are interested to aquire some art pieces you can either contact me on
 clairechaulet@artistania.org 
or go directly on
https://www.saatchiart.com/all?query=Chaulet
Social Medias:https://www.facebook.com/clairechaulethttps://www.instagram.com/claire_chaulet/



My work can be seen at T!NG-space, in the&#38;nbsp;Artistania Atelier. https://www.ting-space.com/More about Artistania e.V.: 
www.artistania.orgMore about the Theatre of Detailstheatreofdetails.com



You can contact me on clairechaulet@artistania.org.





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	<item>
		<title>About Claire Chaulet</title>
				
		<link>https://clairechaulet.com/About-Claire-Chaulet</link>

		<pubDate>Sun, 20 Dec 2015 12:37:40 +0000</pubDate>

		<dc:creator>clairechaulet</dc:creator>

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		<description>


Performing and visual arts &#124; Project coordination &#124; Facilitation


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Claire (1990), co-founder of Artistania e. V., grew up in the suburbs
of Paris with a German-French couple as parents. At the age of 19,
after she travelled half a year in west africa with a theatre
project, she moved to Berlin, where she started to conceptualise the
organisation Artistania with Saba Tsereteli. In addition to her
artistic work, Claire studied Political Science at the FU Berlin,
followed by further education in the field of Cultural Management at
the FH Potsdam and a Masters in Adult Education / Lifelong Learning
at the HU Berlin.





Artistic
workQuestions about transculturality, creative activism and
empowerment are at the core of her artistic work. She is interested
in how creative processes can foster social participation,
intercultural understanding, and emancipation. Claire works with her
surroundings, with found materials, themes and problems faced in
specific contexts. Her artistic interventions in public spaces are a
result of collaborative work with the people using these spaces. 
In
addition to visual art, Claire is involved as a stage designer,
puppeteer and performer for the Theatre of Details and different
independent theatre groups. She creates masks, giant puppets and
other performative art pieces together with different communities and
sociocultural projects.
From street art to street
performances,&#38;nbsp; from community work to public interventions, her
work reflects a continuous determination to bring art and creative
practices outside of their safety zones to become tools for
engagement and exchange in new surroundings.
As an
interdisciplinary artist, Claire not only interacts with her urban
environment in the form of static art but also in the form of
performative interventions. The art works she creates are integrated
in theatre, collective actions or in hybrid performative pproaches,
such as parades and public storytelling. 





Project
coordination Since 2012 she coordinates and organizes the
most diverse projects in the association Artistania: Festivals,
international cooperations, exhibitions, creative trainings…



Fundraising, HR,
accounting, PR...through various experiences, learning by doing and
professional trainings Claire became familiar with all kind of
different tasks that surround a project.




Curently she
coordinates Erasmus Projects (Artistania e.V.), neighbourhood
projects (Karneval für die Zukunft) and creative school projects
(Nena e.V.).





Faciliation


Claire engage as a
facilitator and trainer for non-formal educational projects for
different generations and publics. With the help of wide variety of
faciliation tools and methods learnt during her studies in adult
education and regular trainings (mediation, social permaculture,
anti-rassism…), Claire wishes to foster transformative and
emancipative learning processes. Currently she is trainer for
international exchanges (Erasmus projects) and political youth
education programms (Wannseeforum). 
Her works can be seen at
the Artistania Atelier. You can contact her on&#38;nbsp;clairechaulet@artistania.org. 
More about
Artistania e.V.: www.artistania.org
More
about the Theatre of Details
theatreofdetails.com





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	<item>
		<title>Previous and current exhibitions</title>
				
		<link>https://clairechaulet.com/Previous-and-current-exhibitions</link>

		<pubDate>Tue, 13 Oct 2020 10:04:27 +0000</pubDate>

		<dc:creator>clairechaulet</dc:creator>

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		<description>Current and past Exhibitions
2023 //
 ARTKREUZBERG FESTIVALS 15. – 17.09.2023

https://artkreuzberg.de/lageplan/

2021 // “It’s time for differences” // Group exhibition at T!NG-Space

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2020//


 “Boom! another heroine shot dead”  // 48 Stunden Neukölln&#38;nbsp;

“Dead Fish And Ants” // Installation at the Johannes Kepler Universität (Linz) with Saba Tsereteli

“Real Models instead of top Models / Collages at the Artistania Atelier (Berlin)


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2019 //

“Wave of Change” / Installation at the the Langen Foundation (Neuss) mit Saba Tsereteli

“Museum of Non-natural History” / Installation at the the innovation Cenetr (Linz) mit Saba Tsereteli

“Impossible to look away” / Collages at the Artistania Atelier (Berlin)

2018//

“The Remains of the Petrolithic Era”/ Installation at the Super Studio (Milan, IT) with Saba Tsereteli

„Mascarade“ / Installation at the Theatre National de Tunis for the Festival Chouftouhouna (Tunis, TUN)

“Happy Consumers” / Paintings at the group exhibition Wandelism

“Art’n Ground” / permanent exhibition at the Artistania Atelier (Berlin, DE) with Saba Tsereteli and Martin Ducreau</description>
		
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	<item>
		<title>Performances</title>
				
		<link>https://clairechaulet.com/Performances</link>

		<pubDate>Wed, 29 Dec 2021 14:55:39 +0000</pubDate>

		<dc:creator>clairechaulet</dc:creator>

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		<description>&#38;nbsp;Performances

Claire Chaulet first discovered her taste for public performative interventions at the age of 12, when she participated in the Street Theatre Festival, “Aurillac”, in France. Its impact sparked a flame which she has since kept alive through creating performances and street theatre.
She developed and performed her first theatre piece at 14 with her friend Chloe allutro. She then travelled 4 years later, to West Africa, with an adaptation of the “Little Prince” by A. de St-Exupery. A couple years later she spent half a year in the est Bank, leading theatre workshops in Aida Camp and researching the social impact of Forum Theatre. 
Claire’s experience of Forum Theatre inspired her to explore new ways of interacting with the public and she continued to perform with the forumtheatre Group Rabenschwarz when she returned to Berlin. This curiosity in human nteraction thus continues to appear in her work through the immersive and political aspects of different shows.
Although she is deeply connected to current concerns and dealing with concrete ssues, humour and absurdity are never far away. They appear in the form of exaggerations and burlesque details. Approaching serious topics with an element f irony and buffoonery is not only a characteristic of her visual work but also the performative.
Currently Claire is active as a stage designer, puppeteer and performer for the Theatre of Details and other companies, such as Drehbühne. Additionally, she creates masks, giant puppets and other performative art pieces together with different communities and sociocultural projects. The themes at the core of her creative process echo again here; recycling, experimentation with unconventional materials and reclaimed transformations.




Last Performances (2020-2022):
Die Bäume und ihre Geheimnisse


Die Be-Suchenden
Sky-call

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Performances with The Theatre of Details
Big Friends (2017-2020)
Metamorpheus

Out of Dystopia
The Promise
Parades

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Performances for children:
Color scale (2019)


In the forest of Hambibleibski (Creation 2018-2019)


(Deutsch)
Die Künstlerin hat sich von der amerindianischen Legende vom Kolibri inspirieren lassen, der als dort als einziges Tier versucht, en brennenden Wald mit ein paar Wassertröpfchen zu retten. Die Adaptation, die auf ihre Weise an den Klimawandel und seine roblematik, anspielt, ist für ein Publikum aller Alterklassen gedacht. Im Objekttheaterstuck Im Wald von Hambibleibski wird aus der Sicht er Tiere des Waldes erzählt, deren jahrhundertalter Lebensraum von bedrohlichen Menschinen bedroht wird, die die Bäume fressen und abscheulich stinkende Kohle ausscheiden.
 
Die Tiere suchen zunächst das Gespräch mit den Menschinen, die sich davon jedoch icht in ihrem Tun beirren lassen. Die Lage scheint aussichtslos zu sein und die Tiere beginnen, aus dem Wald zu fliehen – doch eine&#38;nbsp; utige Maus lässt sich nicht unterkriegen: „Ich tue was ich tun kann! Ich besetze jetzt einfach diesen Baum. Und ich werde mit meinen itteln versuchen, diesen Baum, in dem ich leben will, zu schützen. Meine lieben Freunde, macht doch mit: Je mehr wir Bauten in den äumen entstehen lassen, desto weniger wird man so tun können, es gäbe es uns nicht. Wir müssen zeigen, dass wir hier wohnen und unseren Wald schützen.“ Und so beginnt langsam ein merkwürdiger Aufstand, dessen Ausgangungewiss ist ... 









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&#38;nbsp; &#38;nbsp;&#38;nbsp;



Performances with the Animalies:


Highway to Happiness 24+25.11.18 // 20:00 Artistania Atelier
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The apocalypse will not be televised (2017)




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Various:
“Jungle book” with Drehbühne
Sommer 2018 Festspiele in Reckinghausen


Oct-November 2018 at the botanical Garden of Berlin



http://www.drehbuehne-berlin.de/das-dschungelbuch/

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“Little Prince” With Les Colibristes

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</description>
		
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	<item>
		<title>Theatre of Details</title>
				
		<link>https://clairechaulet.com/Theatre-of-Details</link>

		<pubDate>Fri, 31 Dec 2021 09:34:33 +0000</pubDate>

		<dc:creator>clairechaulet</dc:creator>

		<guid isPermaLink="true">https://clairechaulet.com/Theatre-of-Details</guid>

		<description>Theatre of Details

OBJECT THEATRE &#124;&#124; ART IN CONTEXT &#124;&#124; COMMUNITY ARTIVISM &#124;&#124; TRANSCULTURAL CREATIVITY
 https://www.theatreofdetails.com/




Claire
 Chaulet and Saba Tsereteli founded the company Theatre of Details in 
2012 as one of the first project of the association Artistania e.V. 
Since then the Theatre of Details works together with artists from 
different disciplines and tries to dissolve borders between fine arts 
and performing arts. The ambition of the Theatre of Details is to create
 unconventional and participatory artistic practices, to invite the 
audience to go on a surreal and imaginative journey and to reclaim 
poetry and community experiences in the public space.







First
 known for its use of puppets, masks, and object theater, the artistic 
methods of the Theatre of Details became more and more eclectic and 
multifaceted. Nowadays the Theatre of Details use a wide range of 
techniques including lantern-making, story-telling, land art, stop 
motion…






Nevertheless,
 the same philosophy remains: The different artworks of Theatre of 
Details aim to transform hostile environments into inspiring and social 
spaces. Giant Marionnettes, Sculptures in Context, Creative Workshops, 
collective creations… all these approaches follow the same logic: to use
 art as an international language to create bounds between people and 
engage in civil society.





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OBJECT THEATREThe "Theater of Details" takes its name from the objects, which, with 
their symbolism and subtleties, play a decisive role in the creation of a
 unique atmosphere and aesthetic. In our plays, the spectator is 
expected to submit themselves to the fictitious and accept that the 
clear separation between the manipulated and the manipulative is 
blurred. All objects are handmade and follow the principle of upcycling:
 we create functional and valuable objects from scrap or surplus 
material.




ART IN CONTEXT
We
 work with our surroundings, with the materials we found and the themes 
and problems we face in specific contexts. But one is sure: as greyer 
the context as more we want to color it! The artistic interventions in 
common or public spaces are a result of collaborative work with the 
people using these spaces. &#38;nbsp;






COMMUNITY ARTIVISM
The
 Theatre of Details aim is to reinforce the social ties and break 
isolation processes through artistic practices. The cooperation of 
people from different backgrounds around one artistic project provokes a
 great feeling of empowerment. We believe that realizing your own 
creative potential, have opportunities to implement crazy ideas together
 with other individuals foster political activation, community 
organizing and social responsibility.






TRANSCULTURAL CREATIVITY



We
 share a vision of art not as an elitist good but as a tool to overcome 
languistic, national, and economical barriers. We use creativity as a 
pretext to join disparate worlds and create unusual encounters and 
cooperations. For us the meeting of different worlds allows on one hand 
the emergence of new ideas and new dynamics and on the other hand 
challenges stereotypes and animosity.
 










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</description>
		
	</item>
		
		
	<item>
		<title>Masketiere</title>
				
		<link>https://clairechaulet.com/Masketiere</link>

		<pubDate>Wed, 09 Aug 2023 08:45:20 +0000</pubDate>

		<dc:creator>clairechaulet</dc:creator>

		<guid isPermaLink="true">https://clairechaulet.com/Masketiere</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Collages</title>
				
		<link>https://clairechaulet.com/Collages</link>

		<pubDate>Tue, 19 May 2020 09:21:52 +0000</pubDate>

		<dc:creator>clairechaulet</dc:creator>

		<guid isPermaLink="true">https://clairechaulet.com/Collages</guid>

		<description>
Collages&#38;nbsp;

„The apocalypse will not be advertised”


Creation march-april 2020

„The apocalypse will not be advertised” is a reappropriation of the painting “Le Déluge” (around 1911) by Leon Comerre with busted advertisements.



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The Flood //
The flood is a well-spread image of the apocalypse, present in several mythologies and religions. The flood is a symbol of divine punishment for human misbehaviour. In various myths, a divinity is deeply disappointed by the lack of respect humans have for each other and for nature, and therefore this divinity decides to erase them with elemental force, oftentimes the force of water.
In an attempt to appropriate the narrative of divine punishment for modern reality, “the flood” is replaced with commercials. As “God is dead” (Nietzsche) and no longer the punisher, the punishments are self-inflected. As human greed and disrespect for nature undoubtedly lead to climate catastrophes, the flood appears not only as a figure but also a concrete consequence of human actions.


The Advertisements//
Advertisements have here a metonymic function: they represent the pic of the iceberg of a world based on exaggerated consumption and constant productions of needs and desires. An ideological system which produces environmental disasters and eventually floods.
Furthermore, advertisements are also chosen for their mythological function: they create beliefs of a better life outside reality and have a “divine” status: they are omnipresent in our lives, influencing our behaviour subconsciously and shaping our decisions. Their presence is visible and invisible at the same time: we don’t notice them unless we intentionally want to notice them.

The Collage //
The material nature of collage reinforces the crumbling effect: the ripped pieces of paper are themselves “destroyed pictures” which as shredded lines create an overall impression of cracking.
The process of ripping apart photoshopped faces, polished products and sleek slogans to recreate a chaos of colours and shapes, was a cathartic process for the artist. Usually a passive receptacle of these images, without any power to evade them, the artist could now appropriate them, have power over them and choose their function and place. Additionally, by dealing with the commercials so closely, the artists discovered a new layer and texture to the commercials. The quality of the paper, of the pixels, the complexity of the colour ranges etc. played a central role while the original messages were ignored.
As the collected commercials did not correspond with the original colours, the artist decided to freely interpret the colours of the original painting. The result therefore also reflects, to some extent, the current marketing trends: orange, green and blue were very pervasive colours and the predominance of white models reduced the range of “skin colours”.

„The apocalypse will not be advertised” is one of Claire’s biggest and most challenging pieces: a 6x3 metre collage made purely from pieces of printed commercials and is part of her Serie “CosmAgonia”.

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Real Models instead of Top Models (2019-2021)

A tribute to female human right activists.
While most of the time women in the advertisement are depicted for their bodies&#38;nbsp; nd reduced to their appearance, the series of portraits “Real model instead of top models” aim to spread another picture of women and portray inspiring women who stood against armed violence and human rights violation with their ideas, talents and voices.
By using advertisements I aim to appropriate and deconstruct invading and toxic images and transform them into portraits of heroines of our contemporary world, which are often underrepresented or even ignored.
Because there are plenty of amazing women from all the continents, which could give us mpowering role models. Because sexism is still omnipresent in the pictures we are daily confronted with. Because we don’t need heroines of the cosmetics but heroines for a better society. Because we don’t need to shave our legs to be great. Because we don’t need external validation about our physical appearance to be beautiful. Because emancipation is to sit where you want to sit, even you have to break some rules. Because women make history. Because the next generations need to know these wonderful women, who didn’t stop at the door of their house and improved our lifes.&#38;nbsp;






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&#60;img width="3554" height="3285" width_o="3554" height_o="3285" data-src="https://freight.cargo.site/t/original/i/1aae16229077765b4f8215d28e4f3d45f16581d74fe3d681245602f0e658d8ed/h-28.jpg" data-mid="130213532" border="0"  src="https://freight.cargo.site/w/1000/i/1aae16229077765b4f8215d28e4f3d45f16581d74fe3d681245602f0e658d8ed/h-28.jpg" /&#62;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d50d17e27279f9410dd08a98af8cd5ad7bcceec17f0360f3de39f1b07302ae18/20200607_143414.jpg" data-mid="130214266" border="0"  src="https://freight.cargo.site/w/1000/i/d50d17e27279f9410dd08a98af8cd5ad7bcceec17f0360f3de39f1b07302ae18/20200607_143414.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/90b84112d33862c698f1ee34e090b4e41ac4e6f4b74ab0d42e149b4c519b01f6/20200612_013654.jpg" data-mid="130214267" border="0"  src="https://freight.cargo.site/w/1000/i/90b84112d33862c698f1ee34e090b4e41ac4e6f4b74ab0d42e149b4c519b01f6/20200612_013654.jpg" /&#62;
&#60;img width="3120" height="4160" width_o="3120" height_o="4160" data-src="https://freight.cargo.site/t/original/i/9a30af025c595660cf8d08e3fa504b113fc780c7d29743a1900d58111fbee9e7/IMG_20200220_161253.jpg" data-mid="130214237" border="0"  src="https://freight.cargo.site/w/1000/i/9a30af025c595660cf8d08e3fa504b113fc780c7d29743a1900d58111fbee9e7/IMG_20200220_161253.jpg" /&#62;
&#60;img width="3120" height="4160" width_o="3120" height_o="4160" data-src="https://freight.cargo.site/t/original/i/a3017b0bd2ab3a03e6843586a320de0ff6fffc9c27dc893a8780122722829bba/IMG_20200222_172639.jpg" data-mid="130214474" border="0"  src="https://freight.cargo.site/w/1000/i/a3017b0bd2ab3a03e6843586a320de0ff6fffc9c27dc893a8780122722829bba/IMG_20200222_172639.jpg" /&#62;
&#60;img width="3120" height="4160" width_o="3120" height_o="4160" data-src="https://freight.cargo.site/t/original/i/ec360dff55a6d285df8aa7795926924467c1c7093b585c25df4dee794ee451ca/IMG_20191219_014011.jpg" data-mid="130214241" border="0"  src="https://freight.cargo.site/w/1000/i/ec360dff55a6d285df8aa7795926924467c1c7093b585c25df4dee794ee451ca/IMG_20191219_014011.jpg" /&#62;
&#60;img width="526" height="701" width_o="526" height_o="701" data-src="https://freight.cargo.site/t/original/i/63f95c456e171ac5254da391cd7de1ed3ac071afa383c57e91a878c37b0e51d5/48stnk.jpg" data-mid="130214469" border="0"  src="https://freight.cargo.site/w/526/i/63f95c456e171ac5254da391cd7de1ed3ac071afa383c57e91a878c37b0e51d5/48stnk.jpg" /&#62;


Impossible to look away (2018-2019)

The sequence of patchwork collages „Impossible to look away“ is compiled of posters collected from Berlin’s public spaces.&#38;nbsp;
Insidiously and subliminally affecting commercial backgrounds are deconstructed, destroyed and rearranged to become visible art pieces thatinvade the public frame. I challenge myself by using the original colors of each poster to recompose a completely new picture.The portraits depicted in the collages are intended for their gaze: be it one that tries to escape, avoids or faces the observer, head on, with determination.
I place a human face on the visual commercial landscape to replace producst with humans. 





&#60;img width="1812" height="2560" width_o="1812" height_o="2560" data-src="https://freight.cargo.site/t/original/i/6885994799241dedea21738ca490e4105ff77e0ef879a817447786664bc53008/Artistania-walls-162.jpg" data-mid="130213147" border="0"  src="https://freight.cargo.site/w/1000/i/6885994799241dedea21738ca490e4105ff77e0ef879a817447786664bc53008/Artistania-walls-162.jpg" /&#62;
&#60;img width="2091" height="2560" width_o="2091" height_o="2560" data-src="https://freight.cargo.site/t/original/i/cbb29f613df4482e7e6580001609d27d3f5268a5a440f8fcaf7a615b3f15d4b6/h-30.jpg" data-mid="130213157" border="0"  src="https://freight.cargo.site/w/1000/i/cbb29f613df4482e7e6580001609d27d3f5268a5a440f8fcaf7a615b3f15d4b6/h-30.jpg" /&#62;
&#60;img width="2300" height="2560" width_o="2300" height_o="2560" data-src="https://freight.cargo.site/t/original/i/41aa7238ed132affea0e7645a2af970f646dd317a59738dbbad9ab2a220d97fe/h-45.jpg" data-mid="130213158" border="0"  src="https://freight.cargo.site/w/1000/i/41aa7238ed132affea0e7645a2af970f646dd317a59738dbbad9ab2a220d97fe/h-45.jpg" /&#62;


&#60;img width="2080" height="2560" width_o="2080" height_o="2560" data-src="https://freight.cargo.site/t/original/i/d6aed2490b27ae59fd00a1765c2ef25355acbaf285a2f0833027e4ae8dbeed8f/h-43.jpg" data-mid="130213118" border="0"  src="https://freight.cargo.site/w/1000/i/d6aed2490b27ae59fd00a1765c2ef25355acbaf285a2f0833027e4ae8dbeed8f/h-43.jpg" /&#62;
&#60;img width="2176" height="2560" width_o="2176" height_o="2560" data-src="https://freight.cargo.site/t/original/i/54372b6eed7b25a39d6a2b5c593a17bc2950862b7cc931e1051b2fd263ec19d4/h-40.jpg" data-mid="130213136" border="0"  src="https://freight.cargo.site/w/1000/i/54372b6eed7b25a39d6a2b5c593a17bc2950862b7cc931e1051b2fd263ec19d4/h-40.jpg" /&#62;
&#60;img width="2023" height="2560" width_o="2023" height_o="2560" data-src="https://freight.cargo.site/t/original/i/941b08e301bb317a745c3617f40810189acdf2c1be504e9964bc82711aa383ae/h-38.jpg" data-mid="130213137" border="0"  src="https://freight.cargo.site/w/1000/i/941b08e301bb317a745c3617f40810189acdf2c1be504e9964bc82711aa383ae/h-38.jpg" /&#62;

&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/ffe6c8f3b58059ee535bc8cae6aa4cda6e71a5f3a21b7993e082c6aa0e75ee17/50811360_10156289963859163_8091852590507098112_n.jpg" data-mid="130213830" border="0"  src="https://freight.cargo.site/w/1000/i/ffe6c8f3b58059ee535bc8cae6aa4cda6e71a5f3a21b7993e082c6aa0e75ee17/50811360_10156289963859163_8091852590507098112_n.jpg" /&#62;
&#60;img width="1786" height="2389" width_o="1786" height_o="2389" data-src="https://freight.cargo.site/t/original/i/6c84c6b9fb698177766d32ef404905d342d7b97d68dcab49cd75fa91b0ed614f/Artistania-walls-158smaller.jpg" data-mid="130213539" border="0"  src="https://freight.cargo.site/w/1000/i/6c84c6b9fb698177766d32ef404905d342d7b97d68dcab49cd75fa91b0ed614f/Artistania-walls-158smaller.jpg" /&#62;


&#60;img width="640" height="960" width_o="640" height_o="960" data-src="https://freight.cargo.site/t/original/i/499c2c1004276970b6417e2f36b0385e4de7b5615f80dec4518dfb7bd49177c4/64861163_1130504917141117_1509865413259821056_n.jpg" data-mid="130213472" border="0"  src="https://freight.cargo.site/w/640/i/499c2c1004276970b6417e2f36b0385e4de7b5615f80dec4518dfb7bd49177c4/64861163_1130504917141117_1509865413259821056_n.jpg" /&#62;
&#60;img width="3407" height="5004" width_o="3407" height_o="5004" data-src="https://freight.cargo.site/t/original/i/f8fbef2e86ded5b621becefe3d55013a4a7001c66828c268d99f8d2d430e8389/Artistania-walls-161.jpg" data-mid="130213538" border="0"  src="https://freight.cargo.site/w/1000/i/f8fbef2e86ded5b621becefe3d55013a4a7001c66828c268d99f8d2d430e8389/Artistania-walls-161.jpg" /&#62;
&#60;img width="960" height="960" width_o="960" height_o="960" data-src="https://freight.cargo.site/t/original/i/4e50b68b715115c7c8acda6e982eb47c3344c314c5f68ab8146157422e6d8e88/62517363_1123954844462791_2773311368583970816_n.jpg" data-mid="130213470" border="0"  src="https://freight.cargo.site/w/960/i/4e50b68b715115c7c8acda6e982eb47c3344c314c5f68ab8146157422e6d8e88/62517363_1123954844462791_2773311368583970816_n.jpg" /&#62;
&#60;img width="960" height="960" width_o="960" height_o="960" data-src="https://freight.cargo.site/t/original/i/ade0b1a2e2bf985069971a3cd081a5996332f165ac56b9e04638ea8b3b407604/64391966_1123954851129457_5595710051537911808_n.jpg" data-mid="130213471" border="0"  src="https://freight.cargo.site/w/960/i/ade0b1a2e2bf985069971a3cd081a5996332f165ac56b9e04638ea8b3b407604/64391966_1123954851129457_5595710051537911808_n.jpg" /&#62;


Art Not Ads (2018)

&#60;img width="2048" height="3056" width_o="2048" height_o="3056" data-src="https://freight.cargo.site/t/original/i/f1cad1440c4099dc80f91313733571754b6202c7a16fa75143722d24b59d1331/art-not-ads-4.jpg" data-mid="130213464" border="0"  src="https://freight.cargo.site/w/1000/i/f1cad1440c4099dc80f91313733571754b6202c7a16fa75143722d24b59d1331/art-not-ads-4.jpg" /&#62;
&#60;img width="3120" height="4160" width_o="3120" height_o="4160" data-src="https://freight.cargo.site/t/original/i/ad2bec2eb12396c9f55ec387850ccabff2286a180335e13cf0ff03452c15216c/art-not-ads-7.jpg" data-mid="130213466" border="0"  src="https://freight.cargo.site/w/1000/i/ad2bec2eb12396c9f55ec387850ccabff2286a180335e13cf0ff03452c15216c/art-not-ads-7.jpg" /&#62;
&#60;img width="3120" height="4160" width_o="3120" height_o="4160" data-src="https://freight.cargo.site/t/original/i/4062e73dacda71b3c56c949547096fa0aec0a24d08084dad043e5dd4afe76bf0/artnotads2.jpg" data-mid="130213468" border="0"  src="https://freight.cargo.site/w/1000/i/4062e73dacda71b3c56c949547096fa0aec0a24d08084dad043e5dd4afe76bf0/artnotads2.jpg" /&#62;
&#60;img width="768" height="512" width_o="768" height_o="512" data-src="https://freight.cargo.site/t/original/i/d9618fd105e53e759f62fcc85b544998eee06b44c1dca3c127d5cec78a60b0c4/wandelism-berlin-urbanart-032018-1743-768x512.jpg" data-mid="130213859" border="0"  src="https://freight.cargo.site/w/768/i/d9618fd105e53e759f62fcc85b544998eee06b44c1dca3c127d5cec78a60b0c4/wandelism-berlin-urbanart-032018-1743-768x512.jpg" /&#62;


&#60;img width="5156" height="3185" width_o="5156" height_o="3185" data-src="https://freight.cargo.site/t/original/i/206379988ad0ec966b430b86c4a7e807470c97cf9176e0a378143999ef868ea6/artnotads.jpg" data-mid="130213467" border="0"  src="https://freight.cargo.site/w/1000/i/206379988ad0ec966b430b86c4a7e807470c97cf9176e0a378143999ef868ea6/artnotads.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Paintings</title>
				
		<link>https://clairechaulet.com/Paintings</link>

		<pubDate>Fri, 21 Feb 2020 10:04:17 +0000</pubDate>

		<dc:creator>clairechaulet</dc:creator>

		<guid isPermaLink="true">https://clairechaulet.com/Paintings</guid>

		<description>PaintingsMerci Simone!&#38;nbsp;

Creation 2021


&#60;img width="4096" height="2764" width_o="4096" height_o="2764" data-src="https://freight.cargo.site/t/original/i/ebc960ffaecd9d93f28ae3e637c045e5144a7293b1d0550750d0af0e80f51e61/merci-simone.jpg" data-mid="130248384" border="0"  src="https://freight.cargo.site/w/1000/i/ebc960ffaecd9d93f28ae3e637c045e5144a7293b1d0550750d0af0e80f51e61/merci-simone.jpg" /&#62;


The work is an homage to Simone Iff, Simone de Beauvoir and Simone Veil.
 These three women fought for the right for women’s reproductive 
self-determination. A fundamental right which is put in question in 
numerous countries, like Poland or Germany. The collage memorialize the “The Manifesto of the 343” (French: 
Manifeste des 343), a French petition signed by 343 women "who had the 
courage to say, 'I've had an abortion'" published in 1971. It was an act
 of civil disobedience, since abortion was illegal in France, and by 
admitting publicly to having aborted, they exposed themselves to 
criminal prosecution. The manifesto called for the legalization of abortion and free access to
 contraception. It paved the way to the adoption, in December 
1974-January 1975, of the "Veil law”.
Here a little extract of the Manifesto:(…) Free abortion on demand is:
Immediately ceasing to be ashamed of your body, being free and proud in 
your body just as everyone up until now who has had full use of it;
no longer being ashamed of being a woman. An ego broken into tiny 
fucking pieces, that’s what all women who have to undergo a clandestine 
abortion experience; just being yourself all the time, no longer having 
that ignoble fear of being ‘taken’, taken into a trap, being double and 
powerless with a sort of tumour in your belly;
a thrilling fight, insofar as if I win I only begin to belong to myself 
and no longer to the State, to a family, to a child I do not want;
a step along the path to reaching full control over the production of 
children. Women, like all other producers, have in fact got the absolute
 right to control all of their productions. This control implies a 
radical change in women’s mental configuration, and a no less radical 
change in social structures.

1. I will have a child if I want one, and no moral pressure, institution
 or economic imperative will compel me to do so. This is my political 
power. As any kind of producer, I can, while waiting for improvement, 
put pressure on society through my production (child strike).


2. I will have a child if I want one and if the society I will be 
bringing it into is suitable for me, if it will not make me a slave to 
that child, its nurse, its maid, its punchbag.

3. I will have a child if I want one, if society is suitable for both me
 and it, I am responsible for it, no risk of war, no work subject to 
whims.
No to supervised freedom. (…)





&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/0c1062e14e8db7af5e1cf83433a7f2451d1c017f05066d47296f497135058aa6/20210217_173309.jpg" data-mid="130248388" border="0"  src="https://freight.cargo.site/w/1000/i/0c1062e14e8db7af5e1cf83433a7f2451d1c017f05066d47296f497135058aa6/20210217_173309.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/ef7a376e44bbd328f3f0b7bbc804d399430fa0eaf427389df101821e4309c5a3/20210213_182904.jpg" data-mid="130248387" border="0"  src="https://freight.cargo.site/w/1000/i/ef7a376e44bbd328f3f0b7bbc804d399430fa0eaf427389df101821e4309c5a3/20210213_182904.jpg" /&#62;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/891f1d4a9d963a906c491081f16152947fb26361eefafa7e2174f4a0283f4998/20210208_172317.jpg" data-mid="130248392" border="0"  src="https://freight.cargo.site/w/1000/i/891f1d4a9d963a906c491081f16152947fb26361eefafa7e2174f4a0283f4998/20210208_172317.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c8f26b6bca2419a0f6da25adb235197806040f018d5bf3829d4a9dc4a7cb8173/20210217_181924.jpg" data-mid="130248390" border="0"  src="https://freight.cargo.site/w/1000/i/c8f26b6bca2419a0f6da25adb235197806040f018d5bf3829d4a9dc4a7cb8173/20210217_181924.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/4de86907990fef2029b27eb6a4fa9a9340fddbb46bc259dfd74b1bebf23d39a7/20210217_182032.jpg" data-mid="130248652" border="0"  src="https://freight.cargo.site/w/1000/i/4de86907990fef2029b27eb6a4fa9a9340fddbb46bc259dfd74b1bebf23d39a7/20210217_182032.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/494bf15cc1643d49e698b8bbb80a24663bd7963e91e2c09bfcdb3355db4c35ae/20210217_173358.jpg" data-mid="130248389" border="0"  src="https://freight.cargo.site/w/1000/i/494bf15cc1643d49e698b8bbb80a24663bd7963e91e2c09bfcdb3355db4c35ae/20210217_173358.jpg" /&#62;

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/cf2dbd7212a58360e2b1873ae995ea624a2e345a0c88cab2bf13eabe5c25e309/20210219_205417.jpg" data-mid="130248670" border="0"  src="https://freight.cargo.site/w/1000/i/cf2dbd7212a58360e2b1873ae995ea624a2e345a0c88cab2bf13eabe5c25e309/20210219_205417.jpg" /&#62;
&#60;img width="4608" height="3456" width_o="4608" height_o="3456" data-src="https://freight.cargo.site/t/original/i/4edbd72b9f68fb408c7dbd8fb3a8af3285fb53654405e22457d607b454ae3e37/20210219_205902.jpg" data-mid="130248672" border="0"  src="https://freight.cargo.site/w/1000/i/4edbd72b9f68fb408c7dbd8fb3a8af3285fb53654405e22457d607b454ae3e37/20210219_205902.jpg" /&#62;


Democracy (2015)
Oil, Acrylic
Artistania Atelier




&#60;img width="3414" height="3306" width_o="3414" height_o="3306" data-src="https://freight.cargo.site/t/original/i/524a7c1b27ee8d78c90fb118982edd1fd562ceebebb265471caa97c05135f7d6/democ2_5.jpg" data-mid="128475936" border="0"  src="https://freight.cargo.site/w/1000/i/524a7c1b27ee8d78c90fb118982edd1fd562ceebebb265471caa97c05135f7d6/democ2_5.jpg" /&#62;
&#60;img width="5000" height="3559" width_o="5000" height_o="3559" data-src="https://freight.cargo.site/t/original/i/073599c85dec78550f88163ef1c93c5f44bb8369f50c709ef45ab66d854f2c30/democ1_3_o.jpg" data-mid="128475928" border="0"  src="https://freight.cargo.site/w/1000/i/073599c85dec78550f88163ef1c93c5f44bb8369f50c709ef45ab66d854f2c30/democ1_3_o.jpg" /&#62;
&#60;img width="4386" height="3480" width_o="4386" height_o="3480" data-src="https://freight.cargo.site/t/original/i/38bfed5fd19f4aa891231c7250492b77992cc64feb7fa07df44e3162df2609a1/democ3_1.jpg" data-mid="128475931" border="0"  src="https://freight.cargo.site/w/1000/i/38bfed5fd19f4aa891231c7250492b77992cc64feb7fa07df44e3162df2609a1/democ3_1.jpg" /&#62;

Mascarade (2016)


The paintings are deformed portraits of masks and are part of the serie "Mascarade". The frames are made out of old windows. The unhuman face looks with curiosity to the inside of the real world.
&#60;img width="841" height="1175" width_o="841" height_o="1175" data-src="https://freight.cargo.site/t/original/i/b37b693ab50461bc63149ac4c3b47dd2cd0ff68d42661e0924728adb44f86a58/mascarade-4small.jpg" data-mid="130265233" border="0"  src="https://freight.cargo.site/w/841/i/b37b693ab50461bc63149ac4c3b47dd2cd0ff68d42661e0924728adb44f86a58/mascarade-4small.jpg" /&#62;
&#60;img width="832" height="1303" width_o="832" height_o="1303" data-src="https://freight.cargo.site/t/original/i/c6df3058dbec163b32c292996dc32fdd988c23ea2e6683cd4e0ab5b993690237/maskpainting2small.jpg" data-mid="130265230" border="0"  src="https://freight.cargo.site/w/832/i/c6df3058dbec163b32c292996dc32fdd988c23ea2e6683cd4e0ab5b993690237/maskpainting2small.jpg" /&#62;
&#60;img width="789" height="1215" width_o="789" height_o="1215" data-src="https://freight.cargo.site/t/original/i/849a559030b2a7a9086472a804bd791cc938e719149eaef0254c684ace8867cb/maskpainting.jpg" data-mid="130265227" border="0"  src="https://freight.cargo.site/w/789/i/849a559030b2a7a9086472a804bd791cc938e719149eaef0254c684ace8867cb/maskpainting.jpg" /&#62;
&#60;img width="876" height="1313" width_o="876" height_o="1313" data-src="https://freight.cargo.site/t/original/i/4cd3fd63e85615e8c18653fefb4f4598af89ee538d6973a4f589a9404a1ad85e/painting-mask2small.jpg" data-mid="130265213" border="0"  src="https://freight.cargo.site/w/876/i/4cd3fd63e85615e8c18653fefb4f4598af89ee538d6973a4f589a9404a1ad85e/painting-mask2small.jpg" /&#62;



Travel booksTravel book Clandestine Palestine (2010)


&#60;img width="1046" height="773" width_o="1046" height_o="773" data-src="https://freight.cargo.site/t/original/i/0dbf86151238702ff6ec27ac77f4503c81523d4349eb4fd0f19deacd5f261c62/tb0.jpg" data-mid="130265098" border="0"  src="https://freight.cargo.site/w/1000/i/0dbf86151238702ff6ec27ac77f4503c81523d4349eb4fd0f19deacd5f261c62/tb0.jpg" /&#62;
&#60;img width="5000" height="3505" width_o="5000" height_o="3505" data-src="https://freight.cargo.site/t/original/i/c81a429c1216c45d713776a56ab79cbe6f5b7658420dc8028c982ce8dffd1561/bookkid2_o.jpg" data-mid="130265082" border="0"  src="https://freight.cargo.site/w/1000/i/c81a429c1216c45d713776a56ab79cbe6f5b7658420dc8028c982ce8dffd1561/bookkid2_o.jpg" /&#62;
&#60;img width="1046" height="697" width_o="1046" height_o="697" data-src="https://freight.cargo.site/t/original/i/343aa4b19cc1fd0100b06faa88f3de28665f41703c659b8db6a8fe39bffea60e/tb0007.jpg" data-mid="130265109" border="0"  src="https://freight.cargo.site/w/1000/i/343aa4b19cc1fd0100b06faa88f3de28665f41703c659b8db6a8fe39bffea60e/tb0007.jpg" /&#62;


&#60;img width="1046" height="697" width_o="1046" height_o="697" data-src="https://freight.cargo.site/t/original/i/861e6050fc85b9ced76e026bb29f3a5e1dc71ce801cb6b6f40e769d85f3c1f55/tb0014.jpg" data-mid="130265156" border="0"  src="https://freight.cargo.site/w/1000/i/861e6050fc85b9ced76e026bb29f3a5e1dc71ce801cb6b6f40e769d85f3c1f55/tb0014.jpg" /&#62;
&#60;img width="5000" height="3505" width_o="5000" height_o="3505" data-src="https://freight.cargo.site/t/original/i/135aa5ce2ef8cc40d0c50bb6735b3e6f4848a2b570f19a81c45dcfd1b101784f/BOOKKID_o.jpg" data-mid="130265239" border="0"  src="https://freight.cargo.site/w/1000/i/135aa5ce2ef8cc40d0c50bb6735b3e6f4848a2b570f19a81c45dcfd1b101784f/BOOKKID_o.jpg" /&#62;
&#60;img width="5000" height="3505" width_o="5000" height_o="3505" data-src="https://freight.cargo.site/t/original/i/fdacc9320c80b70f4b74489eb2efa4aa6531dce6d9ac03bcbd5575e6194f8acd/RAMA_o.jpg" data-mid="130265241" border="0"  src="https://freight.cargo.site/w/1000/i/fdacc9320c80b70f4b74489eb2efa4aa6531dce6d9ac03bcbd5575e6194f8acd/RAMA_o.jpg" /&#62;


&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/1af59178ef0fd899668dbf20aef8089394a6639061c105fd6023aae0ba440c2d/IMG_3649_o.JPG" data-mid="130265303" border="0"  src="https://freight.cargo.site/w/1000/i/1af59178ef0fd899668dbf20aef8089394a6639061c105fd6023aae0ba440c2d/IMG_3649_o.JPG" /&#62;
&#60;img width="5000" height="3505" width_o="5000" height_o="3505" data-src="https://freight.cargo.site/t/original/i/4cddc9f19d0022a5d258d8854c602a22905422fb4b999289230120e47767b315/bookkid3_o.jpg" data-mid="130265317" border="0"  src="https://freight.cargo.site/w/1000/i/4cddc9f19d0022a5d258d8854c602a22905422fb4b999289230120e47767b315/bookkid3_o.jpg" /&#62;
&#60;img width="1046" height="697" width_o="1046" height_o="697" data-src="https://freight.cargo.site/t/original/i/0d004baf034b471cd6492166313fb1c044cd04496b914db55a39905932e9516a/tb0008.jpg" data-mid="130265320" border="0"  src="https://freight.cargo.site/w/1000/i/0d004baf034b471cd6492166313fb1c044cd04496b914db55a39905932e9516a/tb0008.jpg" /&#62;


&#60;img width="1046" height="697" width_o="1046" height_o="697" data-src="https://freight.cargo.site/t/original/i/4aa6be610e4d7ac5d2d18bac34d93e48705472a2b298de366775c852871ca741/tb0012.jpg" data-mid="130265329" border="0"  src="https://freight.cargo.site/w/1000/i/4aa6be610e4d7ac5d2d18bac34d93e48705472a2b298de366775c852871ca741/tb0012.jpg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/23c835dfea3775c23b6c415b8b77b830dbcbd0b43cc7ccf6e072dbb575692ab5/IMG_3511_o.JPG" data-mid="130265341" border="0"  src="https://freight.cargo.site/w/1000/i/23c835dfea3775c23b6c415b8b77b830dbcbd0b43cc7ccf6e072dbb575692ab5/IMG_3511_o.JPG" /&#62;
&#60;img width="1046" height="697" width_o="1046" height_o="697" data-src="https://freight.cargo.site/t/original/i/5b9756c411879229165db0d5879ae910f7f4c23dcdaa4fa52588a9386e8a1c06/tb0013.jpg" data-mid="130265345" border="0"  src="https://freight.cargo.site/w/1000/i/5b9756c411879229165db0d5879ae910f7f4c23dcdaa4fa52588a9386e8a1c06/tb0013.jpg" /&#62;

Travel book Georgia on my mind (2009)


&#60;img width="1102" height="773" width_o="1102" height_o="773" data-src="https://freight.cargo.site/t/original/i/660680fc8bb0b9e8e7e5452f02ecf41770d80f2f014aa0545b5e60830d6aa3e8/dzima.jpg" data-mid="130265378" border="0"  src="https://freight.cargo.site/w/1000/i/660680fc8bb0b9e8e7e5452f02ecf41770d80f2f014aa0545b5e60830d6aa3e8/dzima.jpg" /&#62;
&#60;img width="1102" height="773" width_o="1102" height_o="773" data-src="https://freight.cargo.site/t/original/i/545ef57c2c93e1fb098e1c627a86157a2200ecc5bb456f795c500b4e2dff30e5/couple.jpg" data-mid="130265379" border="0"  src="https://freight.cargo.site/w/1000/i/545ef57c2c93e1fb098e1c627a86157a2200ecc5bb456f795c500b4e2dff30e5/couple.jpg" /&#62;
&#60;img width="1102" height="773" width_o="1102" height_o="773" data-src="https://freight.cargo.site/t/original/i/80b06cabaacb52660abca24f9b43ff415168aecdf128b1c998e5010f2773fb29/girl.jpg" data-mid="130265420" border="0"  src="https://freight.cargo.site/w/1000/i/80b06cabaacb52660abca24f9b43ff415168aecdf128b1c998e5010f2773fb29/girl.jpg" /&#62;
Travel book Black little Prince (2008)


&#60;img width="461" height="612" width_o="461" height_o="612" data-src="https://freight.cargo.site/t/original/i/528f4976be8b3265ffa660879afc54b03122fcb610d27a002b49eedada798fae/oufen.jpg" data-mid="130265641" border="0"  src="https://freight.cargo.site/w/461/i/528f4976be8b3265ffa660879afc54b03122fcb610d27a002b49eedada798fae/oufen.jpg" /&#62;
&#60;img width="437" height="590" width_o="437" height_o="590" data-src="https://freight.cargo.site/t/original/i/52ba3cb61430020a14996f2dc8194f53f3e0d87108f2ae5e8912dd3113d93921/paysage.jpg" data-mid="130265670" border="0"  src="https://freight.cargo.site/w/437/i/52ba3cb61430020a14996f2dc8194f53f3e0d87108f2ae5e8912dd3113d93921/paysage.jpg" /&#62;
&#60;img width="444" height="608" width_o="444" height_o="608" data-src="https://freight.cargo.site/t/original/i/c193dc069e8666f40216d1514c96ec1084ff8eab9c5582451a2587b1feea18bd/the.jpg" data-mid="130265671" border="0"  src="https://freight.cargo.site/w/444/i/c193dc069e8666f40216d1514c96ec1084ff8eab9c5582451a2587b1feea18bd/the.jpg" /&#62;
&#60;img width="454" height="617" width_o="454" height_o="617" data-src="https://freight.cargo.site/t/original/i/bc83d3e1ee80936a8bb84d6109181b58bd1832573363ebbe1f79c0ca4b408fb9/tete-2.jpg" data-mid="130265672" border="0"  src="https://freight.cargo.site/w/454/i/bc83d3e1ee80936a8bb84d6109181b58bd1832573363ebbe1f79c0ca4b408fb9/tete-2.jpg" /&#62;

&#60;img width="444" height="605" width_o="444" height_o="605" data-src="https://freight.cargo.site/t/original/i/ce699667df8e43b2d310872b3cbab58b9c11a822bc4cd701d7ff53f13953086e/africankids.jpg" data-mid="130265688" border="0"  src="https://freight.cargo.site/w/444/i/ce699667df8e43b2d310872b3cbab58b9c11a822bc4cd701d7ff53f13953086e/africankids.jpg" /&#62;
&#60;img width="446" height="610" width_o="446" height_o="610" data-src="https://freight.cargo.site/t/original/i/f94552e850ab623f359e37b7d41bfbe8027e9f0098b5b4e726f21f6421d87d0d/music.jpg" data-mid="130265693" border="0"  src="https://freight.cargo.site/w/446/i/f94552e850ab623f359e37b7d41bfbe8027e9f0098b5b4e726f21f6421d87d0d/music.jpg" /&#62;
&#60;img width="441" height="606" width_o="441" height_o="606" data-src="https://freight.cargo.site/t/original/i/901ded1669439d41440a58f75f822af20d369995093b634ebc120ed12bad2479/miz.jpg" data-mid="130265695" border="0"  src="https://freight.cargo.site/w/441/i/901ded1669439d41440a58f75f822af20d369995093b634ebc120ed12bad2479/miz.jpg" /&#62;
&#60;img width="430" height="574" width_o="430" height_o="574" data-src="https://freight.cargo.site/t/original/i/96b06330c2babe131bc311db8d5a4bc4feed3a18b35a7b020682eb23167a3262/Kid.jpg" data-mid="130265706" border="0"  src="https://freight.cargo.site/w/430/i/96b06330c2babe131bc311db8d5a4bc4feed3a18b35a7b020682eb23167a3262/Kid.jpg" /&#62;

Various

Kader and the bird (2013)




Acryl on cardboard sold
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/331bd1d40ffaf37098037198e261313c112eb3d0ebefc7da97cff078c7285ab7/kadertrip_o.jpg" data-mid="130248023" border="0"  src="https://freight.cargo.site/w/1000/i/331bd1d40ffaf37098037198e261313c112eb3d0ebefc7da97cff078c7285ab7/kadertrip_o.jpg" /&#62;
&#60;img width="5000" height="3604" width_o="5000" height_o="3604" data-src="https://freight.cargo.site/t/original/i/017be58b033f014fc5750471e389a0fdde98864599028e0404c74c3a075ce280/Kader3_3_o.jpg" data-mid="130248045" border="0"  src="https://freight.cargo.site/w/1000/i/017be58b033f014fc5750471e389a0fdde98864599028e0404c74c3a075ce280/Kader3_3_o.jpg" /&#62;
&#60;img width="3996" height="3168" width_o="3996" height_o="3168" data-src="https://freight.cargo.site/t/original/i/084d67d2cb1e447cf63c3d305b27959e9dfbcffb8acdcbd01f574422961ccb96/IMG_3482_2.jpg" data-mid="130248043" border="0"  src="https://freight.cargo.site/w/1000/i/084d67d2cb1e447cf63c3d305b27959e9dfbcffb8acdcbd01f574422961ccb96/IMG_3482_2.jpg" /&#62;
&#60;img width="4440" height="3210" width_o="4440" height_o="3210" data-src="https://freight.cargo.site/t/original/i/fd372912ea84f0c8f4b334492b661d92db11ab8b78d31391699bd53278962a6d/kader_1.jpg" data-mid="130248047" border="0"  src="https://freight.cargo.site/w/1000/i/fd372912ea84f0c8f4b334492b661d92db11ab8b78d31391699bd53278962a6d/kader_1.jpg" /&#62;




Dreamers (2013)
&#60;img width="5000" height="3327" width_o="5000" height_o="3327" data-src="https://freight.cargo.site/t/original/i/06ae65aae9a4d7658c0707328d809173c19cace299cab72b30bb943a21681d6d/IMG_6229_o.jpg" data-mid="130265856" border="0"  src="https://freight.cargo.site/w/1000/i/06ae65aae9a4d7658c0707328d809173c19cace299cab72b30bb943a21681d6d/IMG_6229_o.jpg" /&#62;
&#60;img width="3894" height="3432" width_o="3894" height_o="3432" data-src="https://freight.cargo.site/t/original/i/6e41da29bfc32097fab9914c6c326dbeb15df45d9cb93e9ef25bd7ba6f65cad3/IMG_7279.jpg" data-mid="130265807" border="0"  src="https://freight.cargo.site/w/1000/i/6e41da29bfc32097fab9914c6c326dbeb15df45d9cb93e9ef25bd7ba6f65cad3/IMG_7279.jpg" /&#62;
&#60;img width="5000" height="3663" width_o="5000" height_o="3663" data-src="https://freight.cargo.site/t/original/i/199d6ddaf38e2fb89814d433c17921b5a9ea493eab97baebd320f4488bc0e28e/IMG_6284_o.jpg" data-mid="130265854" border="0"  src="https://freight.cargo.site/w/1000/i/199d6ddaf38e2fb89814d433c17921b5a9ea493eab97baebd320f4488bc0e28e/IMG_6284_o.jpg" /&#62;
I wish I was a Musician (2017)


&#60;img width="1685" height="1123" width_o="1685" height_o="1123" data-src="https://freight.cargo.site/t/original/i/cae5af526f98f9dd1de0a00eea40418ded8adf55effffc75bb345469f2aa9a53/triptique-small.jpg" data-mid="130265812" border="0"  src="https://freight.cargo.site/w/1000/i/cae5af526f98f9dd1de0a00eea40418ded8adf55effffc75bb345469f2aa9a53/triptique-small.jpg" /&#62;
&#60;img width="752" height="1198" width_o="752" height_o="1198" data-src="https://freight.cargo.site/t/original/i/94c4775ca77563f97754dd2f12dc4fe958ea39f3ff993ccee1b59ccaae678b71/pier-small.jpg" data-mid="130265813" border="0"  src="https://freight.cargo.site/w/752/i/94c4775ca77563f97754dd2f12dc4fe958ea39f3ff993ccee1b59ccaae678b71/pier-small.jpg" /&#62;
&#60;img width="714" height="1166" width_o="714" height_o="1166" data-src="https://freight.cargo.site/t/original/i/b26eff8e9a7c1af107bd761a87d938a94666926e17f1fa3e0fb7cd68c63445a3/felix-small.jpg" data-mid="130265842" border="0"  src="https://freight.cargo.site/w/714/i/b26eff8e9a7c1af107bd761a87d938a94666926e17f1fa3e0fb7cd68c63445a3/felix-small.jpg" /&#62;

Women (2013)

&#60;img width="3180" height="3839" width_o="3180" height_o="3839" data-src="https://freight.cargo.site/t/original/i/fd4e5247137eabf183d845b9bacc025e1d55e668178350182d80b77016a09487/IMG_3491.jpg" data-mid="130265808" border="0"  src="https://freight.cargo.site/w/1000/i/fd4e5247137eabf183d845b9bacc025e1d55e668178350182d80b77016a09487/IMG_3491.jpg" /&#62;
&#60;img width="4248" height="2778" width_o="4248" height_o="2778" data-src="https://freight.cargo.site/t/original/i/a0edfdef679418126038993eeb9ad70cd6f6185ebfda4d2b89a7147b158b432b/IMG_3490.jpg" data-mid="130265923" border="0"  src="https://freight.cargo.site/w/1000/i/a0edfdef679418126038993eeb9ad70cd6f6185ebfda4d2b89a7147b158b432b/IMG_3490.jpg" /&#62;
&#60;img width="3456" height="4092" width_o="3456" height_o="4092" data-src="https://freight.cargo.site/t/original/i/dbc3d72338ac184bf7d15a5759223faa096d565432a596fc6376f435201b46ae/IMG_3489.jpg" data-mid="130265924" border="0"  src="https://freight.cargo.site/w/1000/i/dbc3d72338ac184bf7d15a5759223faa096d565432a596fc6376f435201b46ae/IMG_3489.jpg" /&#62;
Portraits&#38;nbsp;


&#60;img width="2048" height="3252" width_o="2048" height_o="3252" data-src="https://freight.cargo.site/t/original/i/d8f6192578d93a2d030d86fe5453dd081f98dce18815388598392d353763bef3/portrait1.jpg" data-mid="130266009" border="0"  src="https://freight.cargo.site/w/1000/i/d8f6192578d93a2d030d86fe5453dd081f98dce18815388598392d353763bef3/portrait1.jpg" /&#62;
&#60;img width="531" height="595" width_o="531" height_o="595" data-src="https://freight.cargo.site/t/original/i/a54121e6ef2a7300ab06fed952584f590034496f09ed81a35b541d3e4fa0eb29/arafat.jpg" data-mid="130266023" border="0"  src="https://freight.cargo.site/w/531/i/a54121e6ef2a7300ab06fed952584f590034496f09ed81a35b541d3e4fa0eb29/arafat.jpg" /&#62;
&#60;img width="467" height="592" width_o="467" height_o="592" data-src="https://freight.cargo.site/t/original/i/680f3c34956a85011d43469bfd4d3a74db4a090b4ca9a861f438e292ac01cad0/beckett.jpg" data-mid="130266032" border="0"  src="https://freight.cargo.site/w/467/i/680f3c34956a85011d43469bfd4d3a74db4a090b4ca9a861f438e292ac01cad0/beckett.jpg" /&#62;
&#60;img width="400" height="551" width_o="400" height_o="551" data-src="https://freight.cargo.site/t/original/i/32983a1a12d6065c5fc65fdbd427dc894ebdf380e981756f23e88af3baef770b/Artaud.jpg" data-mid="130266033" border="0"  src="https://freight.cargo.site/w/400/i/32983a1a12d6065c5fc65fdbd427dc894ebdf380e981756f23e88af3baef770b/Artaud.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Installations</title>
				
		<link>https://clairechaulet.com/Installations</link>

		<pubDate>Wed, 17 Apr 2019 21:19:49 +0000</pubDate>

		<dc:creator>clairechaulet</dc:creator>

		<guid isPermaLink="true">https://clairechaulet.com/Installations</guid>

		<description>
Installations&#38;nbsp;



Museum of non-natural history // Guided tour



Installation made with Saba Tsereteli&#38;nbsp;commissioned by Borealis AG &#124; 2018The Installation was exhibited in the Super Studio (Milan 2018), Innovation Center (Linz 2019),Joahnnes Kepler Universität (Linz 2020) 




Dear Ladies and Gentlemen,
Welcome to observe the very latest discovery of the museum of non-natural history.

During our expedition in the Atlantic desert in summer 2056, we - me and my colleagues from the research department - had the chance to discover the remains of a very special aquatic craniate from the post-modern era.

The remains are disintegrating, as you can observe, but, due to the huge amount of plastic absorbed, the shape of the skeleton was conserved. As we all know plastics have this fantastic quality of durability and degrades very slowly, as their chemical structure renders them resistant to many natural processes of degradation.
Through this carcass our researchers found out more about the post-modern era, which in scientific terms is called “petrolithic”, due to the obsessive use of petrol. The cruel irony of this period is that it was not the scarcity of petroleum which finally annihilated it but the unexpected popping out of nuclear waste. Until now we were not able to find out who and what was the mistake or misunderstanding behind.
Now you have to imagine the world in the time of this chordate: this world was overfed with plastic. The oceans were satiated with plastic. Wales were devouring plastic to death. The stomachs of fishes and birds were colored with plastic bags, plastic stopper, plastic particles, plastic bottles, plastic packaging. Our scientists estimate that in in the post-modern times 12 million tonnes of plastics were leaking into the ocean every year. Unimaginable for us, isn’t it?

At that time, you have to know, plastic was not a valuable and rare good as it is today. It was so common that humans even used it only once. They called it “single use plastic”. This is not a fictive story: what you can see inside this fish is exactly this extravagant use of plastic of this era. It’s not for nothing that we call the humans of this era “Homo plasticus”.

But now look at these insects: aren’t they remarkable? To let you know: they are not real, it’s a realistic reconstitution of these insects of former times. Scientists used genetically modified peanuts to reach an approximate shape of this exceptional species. This species, called 'ants', was capable of sorting, recycling and degrading plastics in a surprisingly efficient way. Some of my colleagues are even affirming that their determined effort saved mankind from the need to emigrate to Mars. Of course, this thesis is very audacious and not yet proved. Nevertheless, archives from that times show that if the ants would not have taken their task seriously, there would be today more plastic waste than animals in the world.

Let's have a closer look: these microbial communities isolated from soil samples mixed with starch have been capable of recycling polypropylene in an extraordinary way.

Ants are eusocial insects, the highest level of organisation of animal sociality. They are defined by the following characteristics: division of labour, communication between individuals, and ability to solve complex problems such as waste! Their ability to exploit resources may bring ants into higher intelligence level then humans. These ants are small and insignificant at first glimpse, but they can carry 10 - 50 times their body weight. They work together and never give up. Ants have abilities to move mountains. They have a delicate balance of individual effort and teamwork.
But as you can see in this reconstitution we didn’t yet found out the finalisation of the recycling process: the mystery remains, how these brave creatures managed to bring mountains of wasted plastic into the new circularity, which we know nowadays.

As part of the tour you have now the chance to visit the archeological reconstitution department and create your own portable ant, as a symbol of micro-heroism.

Photos by David Rudolf



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Wave of Changes (2019)


Installation made with Saba Tseretelicommissioned by Borealis AG &#124; 2018

Plastic, plaster250 cm* 300 cm* 400 cm








The first exhibition of ‘Wave of Change’ took place in 2019 at Langen Foundation, Museum in Neuss.&#38;nbsp;
This installation is an invitation for reflection on the relationship between the&#38;nbsp; ecognition of the collective environmental catastrophe and the effective measures taken to confront the matter.
‘Wave of Change’ has a continuous character of expansion: it evolves through the interest it creates. The number of hands in the installation increases by the changing waves of development, progress and sometimes regress of response by global leaders on the issue of environmental justice.&#38;nbsp;




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